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'Sanatçının Bir Genç Adam Olarak Portresi' Romanında Paradoks ve Gerçeklik Kavramı
The main theme of James Joyce's creativity, epistemologically, it reveals the literary and artistic values of Irish culture, within its entirety. In this paper, it will be discussed and be examined the views on the flow of consciousness paradoxes and extra individual mismatches in the novel of “A Portrait of the Artist as a Young Man". The goal that Joyce can reach as a “harmony and paradox” in the novel, is not just a mental or psychological factor, along with, he wanted to show a unique artistic and consciousness concept technique that existed in the human mind precisely at this moment. Sometimes, the concepts that people want to know correctly in their minds, it may result in the opposite. And in hence, these identifications can be defined in different types of as paradoxically, according to the power and claims of human logic. According to the writer, human beings become real and independent, while they discover themselves. Aesthetic beauty, art, love, and such sensitive emotions can only be seen as part of one's own self. Based on all these, the author considers the creative vision of Stefan Dedalus as a real prototype in his novel of “Portrait of an Artist as a Young Man”. And also, the author, however, manages to reveal as the main paradox the mechanism of modern human life in the XIX th century Irish literary culture.

Artistic, technical, paradoxes, prototype, aesthetics.

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