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Abstract


Coated Stories: Investigation Of Stories In "Palto" Object Center
Lifeless objects enter literary work in relation to human or in proportion to human interest. Sometimes ancillary elements, sometimes as the main element, they perform various functions within the work. As a lifeless object in the stories studied, the coat has many functions. The coat is processed by color, by gender, or even by entrustment. The coat is handled with color, shape, gender, even entrustment. In this context, the coat is an object which is sometimes located at the center of the fiction of the story in the form of a "vehicle" that reflects the mood of the hero, a "symbol" sometimes used in giving the message of the story, and sometimes a "desirable" or "feared" object. Also, in all stories, the coat is linked to human psychology. The reason for the violent desire for the coat is not to wear it after you get it, not to protect it from the cold. It is the kind of thinking that people have put on him, such as strength, nobility, wealth, respect. It is a fact that after the confrontation of the coat, the heroes move as if they have the character of the palton on their backs. Maybe they wear it on their souls, not on their pussy bodies.

Keywords
Object, Symbol, Function, Story, Coat


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