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A Reading Experiment of Hilmi Yavuz's Doğu Şiirleri by Riffaterre's Semiotics Method
In the poems of Hilmi Yavuz, who has the right knowledge in many fields of social sciences, the traces of this wide knowledge are found. In his poems, which must be read in two planes, there are different layers of meaning that perceive themselves under the superficial meaning. Yavuz who recognized as an imagist poet, especially in the use of metaphorical references to the poem in the associations of abundant associations. In this work, we try to analyze Riffaterre with the help of semiotic methods, doğu şiirleri (The Eastern Poetry), were subjected to a close study in terms of both their depth of meaning and their aesthetic subtlety. Oriental civilization's own paradigmatic system was given in a general framework and the cultural and sociological qualities of Eastern Anatolia were tried to be conveyed to the extent that poetry was possible. In the period when poetry was written, in parallel with the socialist concept dominating Turkish poetry; but in these poems which are not influenced, the collective affairs are processed without neglecting individual sensitivities. The eastern poetry, consisting of eighteen poems, is the result of an effort to capture the eastern imagery that appears at the same time as the poet's philosophical, historical, economic, social and political point of view.

Hilmi Yavuz, Riffaterre, east, culture, love, death.

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